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THE 48TH ANNUAL SYMPOSIUM OF THE FURNITURE HISTORY SOCIETY Saturday 23 March 2024, in person or live-streamed via Zoom 

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Picture credits: Chair designed by Ernest Gimson after 1888, V&A Circ.232-1960; Munstead
Wood, designed by Edwin Lutyens for Gertrude Jekyll, 1896; Lily wallpaper designed by William Morris 1873, V&A E.484-1919.

THE 48TH ANNUAL SYMPOSIUM OF THE FURNITURE HISTORY SOCIETY 

Art Workers’ Guild, 6 Queen Square, London WC1N 3AT

Saturday 23 March 2024, in person or live-streamed via Zoom.  10.30 am – 5.00 pm. 

In person registration from 10.00 am 

‘New Light on Arts and Crafts Furniture and Interiors’

The 2024 annual symposium will focus on Arts and Crafts furniture and interiors between about 1880 and 1920, including new research into the iconic British interiors Kelmscott Manor and Emery Walker’s House, with their rich and complex mix of furnishings, and the National Trust’s new acquisition, Gertrude Jekyll’s house Munstead Wood. In the second sessions speakers will present fresh information on individual designers and makers, on the transmission of design traditions and the influence of published photographs. The day will feature papers from an eminent panel of curators, scholars and furniture makers.

PROGRAMME

10.00-10.30am           Registration and coffee/tea

10.30-10.35am           Welcome by Christopher Rowell, FHS Chairman

10.35-10.40am           Introduction by chair of morning: Tessa Wild – Designers and Interiors

10.40–11.05am          Evidential Choreography: Recomposing the interiors at Kelmscott Manor

                                    Dr Kathy Haslam FSA, Curator, Kelmscott Manor

11.05–11.30am          Emery Walker’s House: The London Arts & Crafts Home 

Mallory Horrill, Senior Curator at Emery Walker’s House, Curator of Collections & Exhibitions at the William Morris Society

11.30–11.40am          Short Break 

11.40am–12.05pm     Gertrude Jekyll at Munstead Wood: the home of the ‘artist-gardener’

Dr Caroline Ikin, Curator, National Trust, Munstead Wood 

12.05–12.30pm          Evolution, not revolution. Interpreting Ernest Gimson’s designs through the generations 

The Marchmont Workshop: Richard Platt & Sam Cooper, Furniture Makers

12.30–12.45pm          Q & A

12.45–2.00pm            LUNCH – for attendees who have booked in the Master’s Room at the Art Workers’ Guild. Otherwise various cafes/restaurants nearby. 

2.00–2.05pm              Introduction by chair of afternoon: Martin Levy – Designers and Makers    

2.05–2.25pm             The Early Years of the Art Workers’ Guild

Peyton Skipwith, Fine art consultant and author

2. 25–2.45pm             BIFMO and the Arts & Crafts Exhibition Society Catalogues, 1888-1916

Clarissa Ward, BIFMO 19th/early 20th Century Editor & Jo Buckrell, BIFMO Research Assistant and Researcher, Haslemere Educational Museum

2.45–3.10pm              A Question of Attribution: the contemporaneous appropriation of architect designed Arts & Crafts furniture.

Tony Peart, Senior Lecturer in Illustration at the University of Cumbria 

3.10–3.25pm              SHORT BREAK 

3.25–3.50pm             Augustus H. Mason: ‘Cabinet Maker, chiefly special designs’

Annette Carruthers, Honorary Senior Lecturer, University of St Andrews

3.50–4.15pm              ‘Garden of Hearts: A Case Study of an American Arts and Crafts Masterpiece’

Daniel S. Sousa, Assistant Curator, Historic Deerfield, Massachusetts, USA

4.15–4.45pm              Q & A

4.45–5.00pm              Closing remarks/summing up

5.00pm                       End

Tickets available via https://www.eventbrite.co.uk/e/new-light-on-arts-and-crafts-furniture-and-interiors-tickets-788035073117


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